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The highest part of many instruments’ range also gets left out. Instead, there is an ensemble of high strings, and one of low strings. Another very interesting missing element is that the strings are not divided into first and second violins, violas, celli and basses. Even the contrabassoons and tubas are recorded as ensembles of four – that’s very unusual, as a standard orchestra only has one contrabassoon and one or occasionally two tubas. The third thing that’s missing is solo instruments – except for the piano and band instruments everything is an ensemble (and there is even a guitar ensemble instrument). Again, this library is all about big and loud, and those instruments are more about warmth and subtlety. So, no flutes, clarinets, oboes or English horns, and certainly no piccolos. The second most obvious thing that’s not there is high woodwinds – only bassoons and contrabassoons are representing the woodwind section. Big and loud is what this library is all about. For those not familiar with classical dynamics markings, mf is mezzoforte or “pretty loud” and fff is fortisissimo or “very very loud”. Everything sampled here is between mf and fff, and some things are only sampled at fff. Nothing was sampled playing quietly (well, almost nothing – the drum kit is the only instrument that does include soft velocity layers). The most standard thing you’d expect to find in an orchestral library and which isn’t here is quiet dynamics. Perhaps the most interesting thing about this library is that it leaves out anything that isn’t epic.
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It runs in Kontakt and the free Kontakt Player. It includes strings, brass and orchestral percussion, as well as a piano, male and female choirs, and a band of two guitars, one bass guitar and drums. And second, it’s dedicated to huge epic sounds. First, even compressed it takes 70 GB of space. These promotional prices are available until January 2018, 31.Īrk 3 is intended for those looking for cinematic pulsating rhythms and it’s one of the best for this purpose.Orchestral Tools Metropolis Ark 1 is a huge orchestral library in two senses of the word. Its introductory price is 399 Eur ( + applicable tax), or 299 eur for owners of Ark 1 or Ark2.
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It is based on Capsule and requires full Kontakt or Kontakt Player 5.7.1.
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One of our favourite articulation is the repetition ( of course, time-synched with the tempo of your project), available in various note denomniations, including triplets and single articulations, with keyswitches from one note duration to another in Multiple mode.Īs for technical details, it would worth mention the fact that library has a whooping 111 Gb of samples, at 24 bit / 48 Khz with up to 47 articulations per section are covered, and the supperb percussion section includes Taiko drums. What we love the most at Ark 3 is the fact that it’s intended to cover arias complementary to those from Ark1 or Ark2, like an “add-on” rather than an “upgrade” and it’s not intended for those looking for an “all around” orchestral library.
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Taiko drums are available as both ensembles and solo, the Grand Piano has a wide array of very interesting effects, while the Timpani section is definitely the best we’ve ever heard on a sample library! Ark3 is an add-on to Ark1 and Ark2, rather than an upgrade The library was recorded at the superb sounding Teldex scoring stage in Berlin.ĭistrict 1 – The Beating Orchestra has plenty of rolls ( they are not auto-repeated) and it sounds nothing less than HUGE.
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The articulations cover both single and triplet upbeats, with various lenghts of crescendo and diminuendo. The submenus called “Districts” are present in this library, too, and there are four of them: District 1 – The Beating Orchestra ( String Quintet being a nice addition to String, Woodwind, Brass and Percussion Orchestras, also Taiko and Percussion ensembles), District II – Percussion Ensembles (Taiko, Percussion, Timpani), District III – Solo Percussion (Taikos, Percussion, Grand Piano), District IV: Orchestral Sections (Highs Strings, Low Strings, High Woodwinds, Low Woodwinds, Trumpet and Horn Ensemble, Low Brass). Ark 2 was more intimate, and it would have been a nice add-on, but Ark 3 is definitely something that we’ll dig in and out for its deeply cinematic pulses and accentuations, available as both loops and single articulations. We loved its user friendly-ness and also the huge sound. I remember buying Metropolis Ark 1 right after hearing it at their NAMM booth.